Other Compilations
Various Artists
We Still Kill The Old Way (Clone)
We Still Kill The Old Way (Clone)
Various Artists
Viewpoints: Chapter 1 (AW Recordings)
Viewpoints: Chapter 1 (AW Recordings)
Various Artists
Melatonin (Room40)
Melatonin (Room40)
Releases on same label
Ragga Twins
Ragga Twins Step Out (Soul Jazz Records)
Ragga Twins Step Out (Soul Jazz Records)
Sandoz
Sandoz In Dub Chapter 2: Live In The Earth (Soul Jazz Records)
Sandoz In Dub Chapter 2: Live In The Earth (Soul Jazz Records)
Kode 9 vs Digital Mystikz
Stung, Thief In The Night (Soul Jazz Records)
Stung, Thief In The Night (Soul Jazz Records)
Various Artists
Tom Moulton - A Tom Moulton Mix (Soul Jazz Records)
Soul / Funk Vintage / Reissues
Tom Moulton is one of the most important people in the history of dance music. From inventing the first ever 12" single to remixer to the stars, the trademark "A Tom Moulton Mix" is a mark of quality given to only the finest records - from Grace Jones’ seminal "La Vie En Rose" to the million-selling MFSB disco anthem "Love Is The Message", to over 4000 remixes. Tom Moulton began his career in the early 1960s as a Promotions man at the legendary R’n’B label King Records, home of James Brown, Little Willie John, Hank Ballard and The Midniters and many more. In the 1960s he also began a career in modelling that would run parallel to his music. In 1971, he visited New York’s Fire Island, the infamous gay holiday resort where he describes seeing ‘white men dancing to black music’ for the first time. It was here that Tom Moulton first began splicing up tapes for the discotheque. In the early 1970s DJs played 45rpm seven-inch singles which lasted around 3 minutes. Tom Moulton wanted to extend the time of a song in order to keep people on the dancefloor. His first remix was BT Express "Do It Til You’re Satisfied", followed by "Peace Pipe" which he ‘extended’ to over 6 minutes long – and with this invented the "Remix". He then took this further with Gloria Gaynor’s "Never Can Say Goodbye" which Tom Moulton mixed together as an 18-minute medley, once again designed for dancers. In 1974 whilst continuing his search for louder, longer records he cut the first 12" single ever along with cutting engineer Jose Rodriguez. (Al Downing – I’ll be Holding On). He also started to write the first ever Disco column for Billboard magazine. Tom Moulton personally delivered many of his original acetates to the underground dance DJs in New York City such as Richie Kaczor, David Rodriguez, Steve Aquisto, Bobby DJ, Larry Levan and Walter Gibbons. In the 1970s Tom Moulton became the most in-demand remixer in the world. "A Tom Moulton Mix" became a signifier of both musical integrity and chart success as Grace Jones, The Traamps, MFSB, Loleatta Holloway, Andrea True Connection and hundreds more all benefitted from the sonic beauty of "A Tom Moulton Mix". This is the first album to bring together some of the classic and rare tracks that have been blessed with "A Tom Moulton Mix" on the record label. It is the story of one man and his amazing role in the history of the rise of Disco from it’s funk and soul roots to the hedonistic days of Studio 54 and the Paradise Garage.
Tom Moulton - A Tom Moulton Mix (Soul Jazz Records)
Soul / Funk Vintage / Reissues
- SJR120CD - 2 x CD £11.99 Buy
Tom Moulton is one of the most important people in the history of dance music. From inventing the first ever 12" single to remixer to the stars, the trademark "A Tom Moulton Mix" is a mark of quality given to only the finest records - from Grace Jones’ seminal "La Vie En Rose" to the million-selling MFSB disco anthem "Love Is The Message", to over 4000 remixes. Tom Moulton began his career in the early 1960s as a Promotions man at the legendary R’n’B label King Records, home of James Brown, Little Willie John, Hank Ballard and The Midniters and many more. In the 1960s he also began a career in modelling that would run parallel to his music. In 1971, he visited New York’s Fire Island, the infamous gay holiday resort where he describes seeing ‘white men dancing to black music’ for the first time. It was here that Tom Moulton first began splicing up tapes for the discotheque. In the early 1970s DJs played 45rpm seven-inch singles which lasted around 3 minutes. Tom Moulton wanted to extend the time of a song in order to keep people on the dancefloor. His first remix was BT Express "Do It Til You’re Satisfied", followed by "Peace Pipe" which he ‘extended’ to over 6 minutes long – and with this invented the "Remix". He then took this further with Gloria Gaynor’s "Never Can Say Goodbye" which Tom Moulton mixed together as an 18-minute medley, once again designed for dancers. In 1974 whilst continuing his search for louder, longer records he cut the first 12" single ever along with cutting engineer Jose Rodriguez. (Al Downing – I’ll be Holding On). He also started to write the first ever Disco column for Billboard magazine. Tom Moulton personally delivered many of his original acetates to the underground dance DJs in New York City such as Richie Kaczor, David Rodriguez, Steve Aquisto, Bobby DJ, Larry Levan and Walter Gibbons. In the 1970s Tom Moulton became the most in-demand remixer in the world. "A Tom Moulton Mix" became a signifier of both musical integrity and chart success as Grace Jones, The Traamps, MFSB, Loleatta Holloway, Andrea True Connection and hundreds more all benefitted from the sonic beauty of "A Tom Moulton Mix". This is the first album to bring together some of the classic and rare tracks that have been blessed with "A Tom Moulton Mix" on the record label. It is the story of one man and his amazing role in the history of the rise of Disco from it’s funk and soul roots to the hedonistic days of Studio 54 and the Paradise Garage.
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